It's safe to say that what starts out, after a thought provoking pre-credit sequence, as your typical teenage weekend getaway (yeah, you have the jock, the slut, the stoner, the virgin, the scholar) crammed up on an outback mountain dirt road with a name-calling, tobacco spittin' loonie stationed at the old gas station. You know the drill 'cause you've seen it before. Only, you haven't. And that's kinda the point.
The Cabin in the Woods is a simple idea executed into a whole different story. It positions itself amongst all previous slasher movies, all character clichés and genre zones just to deconstruct these very components into what can only be described as a wickedly entertaining caricatur and a brutal genre exercise. The rythm of the movie skilfully maneuvers its audience between stereotype assortments and commited actors, from scares to laughs, from hoarder basements to social science labs á la 'DHARMA in space', from hilbilly zombies to canned Silent Hill monsters, from haunted old cabin to futuristic force fields á la The Hunger Games in a surprising transition.
The Cabin in the Woods is a ritual sacrifice that'll require a lot more than just the blood of a virgin; it'll need its movie audience to. Because this is a playground for a completely new set of horror chess. A total game-changer.
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