Showing posts with label Heather Langenkamp. Show all posts
Showing posts with label Heather Langenkamp. Show all posts

Sunday, February 3, 2013

WOMEN IN HORROR RECOGNITION MONTH 2013

Yay! Finlly it's back! Women in Horror Recognition Month has returned to assist the female geniuses of the horror world in gaining opportunities, exposure and education through philantropic events, printed articles and interviews and endless types of online support. At the same time Women in Horror Recognition Month wishes to break down social construct and educate the public in terms of discrimination within the business and how the public can help females in reaching equality and the opportunity to create and share their concept of life, pain and freedom.

Strong, artistic females that aren't afraid to break away and set an example, are truly and personally inspiring to me. I often feel that women (no, I'm not one of those who androgynize people) are more artistic and emotionally expressing themselves, so encouraging the public to get involved with underrepresented female artists can also turn the public into a positive platform for aspiring women that need an extra spark of courage and enlightenment.

Last year I published a few entries on female rolemodels (or simply just hot females) within the genre, both characters and artists; Women in Uniforms, The Femme Fatale of Female Villains, Feisty Females & Classic Scream Queens, Female Horror Icon Moments, Fabulous Female Writers, Female Filmmakers and Fabulous Female Artists. This year I haven't planned on posting anything personal in relation to WiHM but I would recommend you to take a look at this year's ambassadors - amongst them some of my personal favorites that I'll be following.

BLOGS
Two of my favorite horror bloggers have taken on the task of enlightening us of the female power on different levels within horror; Brittney-Jade Colangelo at Day of the Woman and Christine Hadden at Fascination With Fear. I also stumbled across Disturbed - Patient #9 which is a twisted but fascinating blog posting both personal thoughts, imagery and videos.





PODCASTS
Dark Dolls talk all things horror related, wheter it's books, movies or real life events. They are also open for submissions of independent movies, books, music, PR etc. The Whorer takes a punk-fem-queer approach to horror films and offers diverse episodes from tv-show and movie analyses to horror history.



FILM FESTIVALS
Ax Wound Film Festival (US) is this year supporting WiHM on the big screen by accepting short and feature horror film made by women. Jennifer's Bodies (UK) is hosting its 2013 film festival in Edinburgh, Scotland and accepting submissions directed, produced or written by women. Popcorn Horror's (UK) mission is to show the world that you don't need to be a famous movie producer to release an amazing film. Popcorn Horror is open for submissions and is building a community based on its content providers.




SHORT STORIES & REVIEWS
Sirens Call Publications is always on the lookout for new talents and if you have a piece that shows creativity, originality and a desire to share your story - don't hestitate to submit. Nina D'Arcangela posts some juicy book reviews at Spreading the Writer's Word and Bleeding Dead Film Reviews offers a wide range of both short and feature film previews and reviews.



Saturday, February 25, 2012

WOMEN IN HORROR RECOGNITION MONTH: FEISTY FEMALES & CLASSIC SCREAM QUEENS




In honor of Women in Horror Recognition Month, I present my top 3 of feisty females & classic scream queens.







P.J. SOLES
Born Pamela Jayne Hardon, P.J. Soles is an American actress mostly known in the horror circuit for her classic roles as Norma Watson in Carrie (1976) Lynda van der Klok in John Carpenter's Halloween (1978).

Being portrayed in the 1976 movie Carrie, as Chris Hargensen's right-hand girl, Norma Watson is almost as cunning and conceiving as the former. With her hair pigtail braided and constantly dressed in her baseball cap, Norma is literally a snide bitch with a bad attitude.

Nancy Allen as Chris Hargensen and P.J. Soles
as Norma Watson in Carrie (1976)
Being one of the 'mean girls' Norma is seen early in the movie hitting Carrie White in the head with her baseball cap, and taunting her when Carrie starts panicking over her late first period. Norma's also a major player and co-conspirator in the Ewan High Prom Night plot to humiliate Carrie. During the infamous last scenes of Carrie, Norma is seen collecting the ballots for prom king and queen and replacing them with rigged ones, just to alter the result and have Carrie White voted as queen. As the pig's blood gets dumped all over Carrie during the crowning, Norma is among the first to laugh at the terrible sight, mostly because the group's plan had worked so perfectly. As Carrie uses her powers for revenge on the high school kids, a fire hose turns on itself and Norma catches the full blast of the hose's spray and gets knocked out against a table.

P.J. Soles as Lynda van der Klok in Halloween (1978)
A couple of years later P.J. Soles came to play the supporting role of Lynda van der Klok, the final victim of Michael Myers, in John Carpenter's Halloween from 1978. Supposedly John Carpenter wanted her for the film after seeing Carrie and wrote the part of Lynda especially for her because of the way she said the word "totally".

Lynda's the typical bad friend who doesn't give a shit about the fact that Laurie doesn't have a date to the upcoming dance and writing her off as suspicious when the latter becomes anxious about being followed. Lynda is more concerned about getting high and laid as she orders her boyfriend Bob around like a servant.

Other trivia: In 2005 P.J. Soles starred as victim Susan in Rob Zombie's The Devil's Rejects.



HEATHER LANGENKAMP
Heather Langenkamp is the famous face of Nancy Thompson, the primary protagonist and final girl in A Nightmare on Elm Street (1984), A Nightmare on Elm Street 3: Dream Warriors (1987) and Wes Craven's New Nightmare (1994).

While studying at Stanford University, Heather Langenkamp was cast by Wes Craven as the teen heroine Nancy Thompson in the first movie of the A Nightmare on Elm Street series. Wes Craven was looking for a non-famous face and a non-Hollywood character to play the part, and beating out more than 200 actresses, Heather met this quality. Becoming one of the original Scream Queens, Heather received the Best Actress Award at the 1985 Avoriaz Film Festival.

Heather Langenkamp as Nancy Thompson in
A Nightmare on Elm Street
(1984)
In the original A Nightmare on Elm Street (1984), Nancy is the teenage girl who has begun experiencing nightmares about a disfigured, burnt man in a red and green sweater, Freddy Krueger. The man in her dreams has knives for fingers and she soon discoveres that he has the capability of entering people's dreams and killing them in their sleep. Becoming Freddy Krueger's arch-nemesis, Nancy develops the capability of pulling things out of her dream and forms a plan to pull Krueger into the real world, where he falls victim to a series of booby traps Nancy has set up. Nancy finally defeats Krueger by taking back the energy she has given him and stripping him of his power.

Heather Langenkamp as one of the narrators in
Never Sleep Again: The Elm Street Legacy (2010)
Nancy has often been seen as a rarity in the horror genre for being an intelligent and insightful young woman. As a 'final girl' Nancy differs not only in the way that she avoids sex, drugs and juvenile behavior, but also her intent on how to defeat her monster. Only Nancy can recognize the important link between the real world and the dream world, and only Nancy knows that she needs to take active action to take down Freddy. Different to most victimized females, Nancy avoids the sexuality of horror and her anti-victim posture set a whole new example of a Scream Queen.

Other trivia: Heather Langenkamp served as executive producer and narrator to the documentary Never Sleep Again: The Elm Street Legacy (2010) and co-director and actress in the biographical documentary I Am Nancy (2010).

Together with her husband, David Leroy Anderson, Heather Langenkamp owns and operates AFX Studio, a special effects make-up studio that has done special make-up for several major movies and horror movies, amongst them Dawn of the Dead.


JAMIE LEE CURTIS
Jamie Lee Curtis as Elizabeth Solley in The Fog (1980)
Although Jamie Lee Curtis has compiled a body of work that spawns over many genres and within many categories, she's still best known best for her roles within the horror genre, starring in John Carpenter's The Fog (1980), the low-budget Canadian slasher Prom Night (1980) and Terror Train (1980).

Perhaps best known for her debut role in John Carpenter's Halloween (1978), Jamie Lee Curtis garnered the title Scream Queen as the movie was considered the highest grossing independent film of its time, earning accolades as a classic horror film.

Just as Heather Langenkamp was the arch-nemesis to Freddy Krueger and the female protagonist of the A Nightmare on Elm Street franchise, Jamie Lee Curtis plays the same role to Michael Myers and the Halloween series, in the first (Halloween), second (Halloween II) and seventh (Halloween H20: 20 Years Later) movie.

Jamie Lee Curtis as Laurie Strode in Halloween (1978)
Laurie Strode bears a unique combination of innocence and smarts (mixed with some paranoia) which saves her life during the 20 years of being stalked and victimized by her brother Michael Myers. Laurie starts out in Halloween (1978) as a bookworm who babysits after school and who doesn't do drugs or sex. The same way Laurie avoids the trap of sexuality in horror, she avoids the trap of dumbness and curiosity and leaving nothing to chance, it's her paranoia that keeps her alive after Halloween II (1981).


Other trivia:  Jamie Lee Curtis has an uncredited voice role as curfew announcer/telephone operator in Halloween III: Season of the Witch (1982). Jamie Lee Curtis is the daughter of actor Tony Curtis and actress Janet Leigh, and was cast as Laurie Strode because John Carpenter "knew casting Jamie Lee would be a great publicity for the film because her mother was in Psycho".