Thursday, August 30, 2012

MOVIE REVIEW: THE TALL MAN (2012)

"In an isolated, slowly dying mining town, children are vanishing without a trace - abducted, the townsfolk whisper, by a mysterious entity known locally as "The Tall Man." Town nurse Julia Denning (Jessica Biel) seems skeptical...until her young David disappears in the middle of night. Frantic to rescue the boy, Julia lives every parent's darkest nightmare in this twisting, shock-around-each-corner thriller from acclaimed director Pascal Laugier called The Tall Man." - Rotten Tomatoes


The small town of Cold Rock, Washington, is struggling with economic hardships and growing class differences as the prospect for the town's recidents is slowly diminishing when the mine that has been the main source of employment has shut down. In the midst of battling poverty and lack of resources, the adults in Cold Rock are one by one experiencing yet another heartbreaking tragedy; the children keep disappearing from their playgrounds, their schools and even from inside their homes.

Rumours surrounding the circumstances of the disappearances are widely spread; some believe it's a local child molester. Some say it's the Devil himself. Some talk about the town's own urban legend figure; The Tall Man - a mysterious man abducting children into the woods, after which they're never seen again.

One who's never fallen for the urban legend is the town nurse Julia Denning (Jessica Biel). Being the only medical practicioner in the area since her (doctor) husband died several years earlier, Julia Denning has become the antithesis of Cold Rock - the heroic baby deliverer, the house warming care taker and the loving mother. Naturally, as a counterpart to the social downward spiral, her son goes missing.


What starts out as a mother giving chase builds up in an intricate and inscrutable pattern, where The Tall Man's mysterious role decreases and the hidden role of nurse Denning slowly increases. The Tall Man is a heart-wrenching, shocking thriller that never fails to turn corners. We learn that the kidnapper is someone far less legendary than The Tall Man and that the urban legend figure himself exists in a whole other way than we are first to believe. The underlying supernatural prescence and the mythical references are soon diminished by the stereotype small town tropes being skillfully demolished into the heartbreaking conclusions of today; how a national economy crises always hits the hardest against small towns. The defiance and suspicion exuding from small town folks towards the outside world. The iron fist of distant and anonomous governments. The brutal consequences of class differences and the limited means of those less fortunate. The Tall Man is a provocative end twister that gives food for thought by putting an edge to the horror genre and leaves the viewer with more than one moral reflection.

Sunday, August 26, 2012

MOVIE REVIEW: THE CABIN IN THE WOODS (2012)

Oh, wow. I haven't really made up my mind about this movie yet. Been digesting it for over a week now and can't seem to make up my mind whether this practical joke has just spun out of its own comfort zone or if it's in fact a master piece in the world of climax within the climax, and story on top of story.


It's safe to say that what starts out, after a thought provoking pre-credit sequence, as your typical teenage weekend getaway (yeah, you have the jock, the slut, the stoner, the virgin, the scholar) crammed up on an outback mountain dirt road with a name-calling, tobacco spittin' loonie stationed at the old gas station. You know the drill 'cause you've seen it before. Only, you haven't. And that's kinda the point.

The Cabin in the Woods is a simple idea executed into a whole different story. It positions itself amongst all previous slasher movies, all character clichés and genre zones just to deconstruct these very components into what can only be described as a wickedly entertaining caricatur and a brutal genre exercise. The rythm of the movie skilfully maneuvers its audience between stereotype assortments and commited actors, from scares to laughs, from hoarder basements to social science labs á la 'DHARMA in space', from hilbilly zombies to canned Silent Hill monsters, from haunted old cabin to futuristic force fields á la The Hunger Games in a surprising transition.


The Cabin in the Woods is a ritual sacrifice that'll require a lot more than just the blood of a virgin; it'll need its movie audience to. Because this is a playground for a completely new set of horror chess. A total game-changer.

Thursday, August 23, 2012

PHOTO PREVIEW OF CARRIE REMAKE (2013)

Oh, yes.. keep 'em coming.

Chloe Grace Mortez and Julianne Moore as Carrie and Margaret White. Image borrowed from http://gorestruly.com/

Thursday, May 17, 2012

SYTTENDE MAI: A TRIBUTE TO NORWEGIAN HORROR MOVIES

Since today's no other than syttende mai (May 17th) and Nasjonaldan (the Norwegian Constitution Day) in my neighboring country, I thought it'd be an opportunity to freshen up the memory on some memorable Norwegian horror movies.

ROVDYR (2008)

"The summer of 1974. Four young friends have planned a relaxing weekend out in the woods. At a remote truck stop they pick up a hitchhiker, who only after a short ride demands that they stop the car. They are terrified. Suddenly they are all ambushed and left unconscious. They wake up deep in the woods with no one around but the sound of a hunting horn. Someone is out hunting, and they are the prey."



DØD SNØ (2009)

"A ski vacation turns horrific for a group of medical students, as they find themselves confronted by an unimaginable menace: Nazi zombies."



MØRKE SJELER (2010)

"A revengeful father embarks on a dark thrill ride of lost memories, conspiracy and zombie-like symptoms. Finding the mysterious darkness within is the source of the bizarre world he has uncovered."


TROLLJEGEREN (2010)

"A group of students investigates a series of mysterious bear killings, but learns that there are much more dangerous things going on. They start to follow a mysterious hunter, learning that he is actually a troll hunter."



I also found another bunch of horror categorized Norwegian movies I have not yet seen:
Varg Veum - Bitre Blomster (2007), Fritt Vilt (2006), Fritt Vilt 2 (2008), Fritt Vilt 3 (2010), Skjult (2009), De dødes tjern (1958), Naboer (2005), Villmark (2003) & Hora (2009).

Tuesday, March 13, 2012

TOPLIST TUESDAY: A WISHLIST OF ZOMBIE & HORROR INSPIRED ACCESSORIES

Since this, after all, is a girl's blog, I thought it was about time to post something considered very feminine; a wishlist of zombie- and horror inspired shopping items that I've been yearning for for some time now. 

SHOES 
'Ruff Rider Skulls' from Iron Fist

'American Nightmare' from Iron Fist

'Lacey Days black lace up boot' from Iron Fist

'Lacey Days' from Iron Fist

'Shark Corset' from Iron Fist
'Zombie Stomper' from Iron Fist


ACCESSORIES
'Skull bowling bag' from Gypsy Warrior
'Manslayer Skull embossed wallet' from Iron Fist

EAR WEAR 
There are an abundance of cheap horror/gothic/victorian inspired earrings in practically every store today, but since I can't use 'normal earrings' here are some flesh plugs I wouldn't mind wearing.

'Zombie Marilyn Monroe picture plugs' from mysticmetalsbodyjewelry.com

'Spider web screw fit steel flesh plug' from bodyjewelleryshop.com
'Owl design ear flesh tunnel' from killerink.co.uk
(mostly 'cause it reminds me of Twin Peaks and The Fourth Kind)

'Comic book picture ear flesh plug gauge zombie' from ebay.co.uk

Monday, March 5, 2012

THE DRAGGING DEAD: A SLOW BURN OF ALPHA MANHOOD & MORAL/ETHICS


Truth be told, I'm starting to get a bit disappointed in AMC's The Walking Dead. So yeah, they've been on the ranch for an entire season now, even though they're not wanted there. They talk about filling their tanks and heading up state, instead they go into town and stir up some walkers. They talk about rearranging the hierarchy and setting some ground rules, but instead they revert into the classical trap of gender roles -  the hunting men and the stay-at-home moms. Enough already. It's a slow burn and as of now, I'd much rather watch The River or AMC's Hell on Wheels instead of this dragging show.

The major character's death in last night's episode (I haven't seen it yet) must make a damn good turn for the show, or otherwise I'm gonna lose interest. Perhaps for good.

UPDATE 3/7/2012: 
So, a quick update this Wednesday morning. The last episode was wicked! I hadn't expected much based on this season's previous slow drama, but S02E11 Judge, Jury, Executioner did deliver! Not only were we faced with a major character loss at the end of the episode, but the road leading up to the gruesome (and remarkably sad) death scene was so strongly influenced by the personal journey and psychological hurdle of Carl. The change in his character, from an innocent child to that of an executioner, was so potent, both in the eye-to-eye-with-a-walker experience in the woods, to the moment of Randall's execution in the barn, where his determined little voice said: "Do it, dad".

Back to balancing between being solid and slow burning? Or are they heating it up for the last two up-coming episodes? Time will tell...